Not Just an Editor
A Filmmaker Who Edits.

Because a Website is better than a CV.

👋 Hello, I’m Ben.

I’ve been a freelancer for nearly five years…
but that could change.I’ve spent that time working in film, TV, and commercials, from high-end productions like The Crown and The Marvels to fast-paced content for brands like Samsung, Formula E, and British Gas.And now? I want to bring all that experience to Field Day.

Let see if I'm a good fit?

Editing is More Than Just Cutting Clips.

It’s storytelling. Rhythm. Emotion.I’ve edited everything from branded documentaries to high-energy ads, but here are a few highlights:

Editing Projects

Paris Olympic Campaign

Samsung: Open Always Wins

Created mini-documentaries cuts for three documentary-style films on surfing, skateboarding, and breakdancing (Concrete Dreams, Breaking Boundaries, The Next Wave) for a screening event for Team Samsung Galaxy Olympians, for the Paris Olympics campaign "Open Always Wins".Worked closely with director Jared, the creative team behind full documentaries as well as the agency and client to make sure each sport's story and feel was captured while meeting tight turnover deadlines.Produced final edits within tight video runtime constraints, successfully showcasing these three growing sports to the "Team Samsung Galaxy" athletes, captivating both them and event attendees.

Commercial

Micron Agritech

Created a short promo for Micron Agritech’s AI-powered testing kit, combining stock footage, shoot footage, and studio product shots.Focused on delivering clear messaging and sleek visuals to effectively explain the product, crafting a tight edit that balanced information and engagement. Collaborated closely with the product company to refine the narrative and ensure alignment with their vision.

Investment Trailer

Sequel

Edited a high-impact trailer for Sequel, an athlete investment platform, teasing a groundbreaking startup using NASA-derived insulation technology.Crafted an engaging, mobile-optimised 9x16 format to maximize anticipation while maintaining brand sophistication.The final cut built intrigue without revealing specifics, driving hype and audience curiosity.

Internal Sizzle Reel

Formula E

Searched through a vast media inventory, curating and selecting from a wide range of archival and other footage to craft a high-energy internal sizzle reel using past Formula E races, events, and press coverage.Tasked with showcasing the high-energy nature and danger of Formula E through sound design and dynamic music selection, boosting stakeholder engagement. This project was for internal use only and also contributed to Mahindra's branding efforts within the global electric motorsport scene.

But Here’s the Honest Bit.

My passion is filmmaking. 🫣I started in the camera & lighting departments of high-end film and TV:

That world was big-budget, big-crew filmmaking—but I wanted to be more hands-on, more creative.

So I pivoted.I transitioned into commercials, working on shoots for brands like American Express, among others.

I've also worked on commercials for small companies, as well as short films, taking on roles as both cinematographer and editor.

And finally…

Why Field Day?

I love impactful, high-quality content - that’s what you do best. I want to be part of a growing team of talented creatives, working on projects that blend filmmaking, editing, and storytelling.You’re looking for a great editor.
But really, you need a great storyteller.

Thanks for your time and consideration. Looking forward to the possibility of working together!

Not Just an Editor A Filmmaker Who Edits.